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light object造句

"light object"是什么意思   

例句與造句

  1. as we know now, heavy objects and light objects fall at the same speed unless air holds them back .
    我們現(xiàn)在都知道,如果沒有空氣的阻力,重的物體和輕的物體下落的速度是一樣的。
  2. heavy and light objects which are rarely used should be put on the lower and upper shelves respectively
    不常用的物件,較輕的應(yīng)放在上格,而將較重的放在下格,以策安全。
  3. as we know now, heavy objects and light objects fall at the same speed unless air holds them back
    我們現(xiàn)在都知道,如果沒有空氣的阻力,重的物體和輕的物體下落的速度是一樣的。
  4. as we know now , heavy objects and light objects fall at the same speed unless air holds them back
    現(xiàn)在我們都知道,如果沒有空氣的阻力,重的物體和輕的物體垂直下落的速度是一樣的。
  5. it is true that light objects such as feathers fall to the ground slowly, but we mistakenly infer a general rule
    確實,羽毛等物落到地上速度很慢,但如果我們由此推斷出普遍規(guī)律,那就會犯錯誤。
  6. It's difficult to find light object in a sentence. 用light object造句挺難的
  7. a light object, like a tennis ball, on the edge of the trampoline will follow a curved path toward the bowling ball ? like a planet orbiting the sun
    而蹦床邊緣的輕物體,比如網(wǎng)球,將沿著曲面移向保齡球-就像行星圍繞著太陽運行。
  8. images are well focused and the contrast between the dark and light objects is apparent . similar to wong s previous films, the mise en scene and the camera angle are considered cautiously . every composition shows careful aesthetic and artistic consideration
    加上美術(shù)設(shè)計十分嚴謹,猶其張曼玉的旗袍表演及經(jīng)過細心安排的場景布置和王片一向獨特的鏡頭擺位,單以藝術(shù)片來說此片也是值得一看。
  9. the contrast of the dark and light objects is beautiful rendered that succeeds in challenging the eyes of the audience . the frequent alterations of lighting objects not only reflect the puzzled and nervous mind of the characters, but can also be viewed as the ambiguity of the characters identities, as good and evil are never so distinct in the film
    杜琪峰拍商業(yè)喜劇特別通俗,技巧純熟但欠缺驚喜,可是拍攝警匪英雄系列,卻能處處展示高超的場面調(diào)度能力和強烈的個人風格,沒有讓擁躉失望,所以縱使幾年才有一部同類電影面世,一班長期觀眾也甘于默默等待。
  10. the contrast of the dark and light objects is beautiful rendered that succeeds in challenging the eyes of the audience . the frequent alterations of lighting objects not only reflect the puzzled and nervous mind of the characters, but can also be viewed as the ambiguity of the characters identities, as good and evil are never so distinct in the film
    杜琪峰拍商業(yè)喜劇特別通俗,技巧純熟但欠缺驚喜,可是拍攝警匪英雄系列,卻能處處展示高超的場面調(diào)度能力和強烈的個人風格,沒有讓擁躉失望,所以縱使幾年才有一部同類電影面世,一班長期觀眾也甘于默默等待。
  11. for floodlighting, the luminance and the color of the lighted object depend not only on the power and the color of the illuminant, but also on the color of the lighted object ( the spectral reflectance of the surface ), so, if we choose the optimum matching illuminant for the lighted object in lighting design, we can get excellence and energy efficiency result
    摘要:泛光照明中,被照體的亮度大小、顏色變化等視覺效果不但與電光源的功率和光色有關(guān),而且還與物體色(即光譜反射比)等有關(guān),所以在進行照明設(shè)計時,應(yīng)選擇光源色和物體色相匹配的光源,這樣才有可能使泛光照明效果較好,而且達到照明節(jié)能的目的。
  12. for floodlighting, the luminance and the color of the lighted object depend not only on the power and the color of the illuminant, but also on the color of the lighted object ( the spectral reflectance of the surface ), so, if we choose the optimum matching illuminant for the lighted object in lighting design, we can get excellence and energy efficiency result
    摘要:泛光照明中,被照體的亮度大小、顏色變化等視覺效果不但與電光源的功率和光色有關(guān),而且還與物體色(即光譜反射比)等有關(guān),所以在進行照明設(shè)計時,應(yīng)選擇光源色和物體色相匹配的光源,這樣才有可能使泛光照明效果較好,而且達到照明節(jié)能的目的。
  13. for floodlighting, the luminance and the color of the lighted object depend not only on the power and the color of the illuminant, but also on the color of the lighted object ( the spectral reflectance of the surface ), so, if we choose the optimum matching illuminant for the lighted object in lighting design, we can get excellence and energy efficiency result
    摘要:泛光照明中,被照體的亮度大小、顏色變化等視覺效果不但與電光源的功率和光色有關(guān),而且還與物體色(即光譜反射比)等有關(guān),所以在進行照明設(shè)計時,應(yīng)選擇光源色和物體色相匹配的光源,這樣才有可能使泛光照明效果較好,而且達到照明節(jié)能的目的。

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